Barbara Tipton portrait from Ceramics Monthly, December 1987
Barbara Tipton. 2004. Horse plate, wheel thrown white stoneware, approximately 15 cm across, brush decorated greenware with dilute cobalt/manganese wash and a more saturated line, iron brush “spatters”, fired in a gas kiln to cone 8-9.
I have added a page on Barbara Tipton. For over three decades Barbara has explored the theme of cups, saucers and teapots in a unique and instantly recognizable style. What Barbara can do to a subject that is so often taken for granted will take your breath away!
Also included, providing a strong contrast, is a sampling of Barbara’s functional pottery.
Enjoy the page and let Barbara know you how much you admire her work.
Keeping in mind the contribution that influential pottery groups make to sustaining and training ceramists in various region across Canada I have added a page on Winnipeg’s The Stoneware Gallery.
Without a formal Manitoba provincial potters’ guild or association this collective is critical for the visibility and quality of ceramics of all types, not only in the province but across the country. The various artists involved over the years have been doing this for almost forty years. Remarkable!
Les Manning. 2007. Sun Up/Sun Down . Laminated stoneware, porcelain with celadon glaze, sandblasted. 18.5 x 25 x 21 cm. Collection: Alberta Foundation for the Arts.
I have added a page on Les Manning, artist, teacher, mentor to so many. I hope the page gives you insights into Les the man, as well as Les the artist.
Les Manning. 2011 Carnival. 46 x 32 x 40 cm. Photo: Dianne and Cecil Finch.
Les Manning’s roots are small town Alberta. His life has encompassed the world. Many can recognize his signature style of mountain landscapes but his most recent works in the Common Opposites exhibition are pure Les Manning, free to be himself.
Jan and Helga Grove in their garden at Sooke Rd studio, c. 1970, photo by Karl Spreitz
I have added a page on Jan and Helga Grove. Their training in Germany was intense and traditional but their work is so modern. Working out of the Victoria BC area Jan and Helga brought a new view to traditions outside of the dominant Leach-Hamada tradition.
Their retrospective exhibition curated by Allan Collier at the Art Gallery of Greater Victoria continues until until May 28, 2017. Catch it if you are in the region. Or obtain the 128 page hard cover catalogue if you want a lasting memory.
Carol is prolific potter and sculptor. Her works in raku and low -fire porcelain frequently incorporate other media. Though varied in style she displays an ongoing love for the sea: an underpinning theme for her explorations in media, design, and more recently, the cycle of creativity.
Carol is also greatly recognized for her teaching and organizing work in the province: the Halifax Studio School of Pottery, her links with NSCADU, and in the development of the Nova Scotia Designer Crafts Council to name some highlights.
Enjoy the story of Carol Smeraldo’s career and a sampling of her creations,and please share your thoughts.
Amélie Proulx . Metaphores Mortes. Photo source: Canadian Clay and Glass Gallery
The Canadian Clay & Glass Gallery has announced that Amélie Proulx has won the 2016 Winifred Shantz Award for Ceramics. The award will be presented at the Canadian Clay & Glass Gallery on November 12, 2016. The ceremony will feature a brief artist talk.
Amélie Proulx from Lévis, QC, is a multidisciplinary artist working primarily with porcelain. She is interested in the possible shifts of meanings in language and in the perception of natural phenomena. She received a BFA from Concordia University in Montreal (2006) and an MFA from the Nova Scotia College of Art and Design University in Halifax (2010).
Her artwork has been presented in solo and group exhibitions in Canada, the United States, Australia and France. In 2013, she received the RBC Emerging Artist People’s Choice Award at the Gardiner Museum in Toronto. She has participated in several residencies, notably at the European Ceramic Work Centre (The Netherlands, 2014) and the Guldargergaard International Ceramic Research Centre (Denmark, 2015). She teaches ceramics and visual arts at La Maison des métiers d’art de Québec and at Cégep de Sainte-Foy. She is represented by Galerie 3 in Quebec City.
Proulx has been chosen for the Arts/Industry Program at the Kohler Company in Sheboygan, Wisconsin. There she will research and produce a new body of work that will convey ideas of technological translations of ceramics.
Proulx will use the Shantz Award to prepare for this residency; she will generate 3D printed moulds at the artist-run centre La Chambre Blanche in Quebec City and CNC milled plaster moulds with Epic Welding in Medicine Hat, Alberta.
The award was juried by Laura Kukkee, Rory MacDonald and Aaron Nelson.
Proulx will receive $10,000. This prestigious national awards allows early career professionals to undertake a period of independent research, or other activities that will advance their artistic and professional practice at a key moment in their careers.
The Winifred Shantz Award for Ceramics is supported by the Keith and Winifred Shantz Fund for the Arts, held at The Kitchener and Waterloo Community Foundation.
About Winifred Shantz: The late Winifred Shantz was a driving force for the arts in Waterloo Region for more than 40 years. A successful ceramist, entrepreneur and visionary philanthropist, she was committed to finding ways to enable artists to reach their full potential.
About The Kitchener and Waterloo Community Foundation: The Kitchener and Waterloo Community Foundation (KWCF) improves the quality of life in Kitchener-Waterloo and the surrounding area, now and for generations to come, by building community endowment, addressing needs through grant making, and providing leadership on key community issues.
The Canadian Clay & Glass Gallery’s mission is to showcase the most innovative, influential contemporary Canadian ceramic, glass, and enamel artworks and to make them accessible to all through acclaimed exhibitions that address issues and themes relevant to our times, through an impressive selection of artworks in our Gallery Shop, and through intriguing public programs that engage, educate, and inspire.
For information about the Awards contact: William D. Poole, Executive Director, Canadian Clay & Glass Gallery; email@example.com • 519.746.1882 x231
Robin Hopper’s page was one of the first posted on this website, three years ago. It is also one of the most visited. A major update is long overdue. Artists’ pages on the site, their scope, format and content, have evolved, expanded.
The revised page explores more of Robin’s past activities and work, and also touches on his more recent activities and passions during what for him are difficult times.
Enjoy connecting with one of Canada’s most renowned ceramists, Robin Hopper RCA.