I have added a page on Ontario potter, entrepreneur and animateur Donn Zver.
A key figure in developing and sustaining pottery in Ontario, Donn Zver has created a workplace and body of work that has earned him the wide respect not only of fellow potters but also the admiration and friendship of customers .
Valerie Metcalfe at 1000 Miles Apart conference, University of Manitoba. October, 2015.
Valerie Metcalfe.. 2017. Skyscape/Landscape plate. Porcelain, solder, glass. 40.6 cm w.
I have added a page on Winnipeg ceramist Valerie Metcalfe to Studio Ceramics Canada. Valerie has been a key ceramic artist in Winnipeg for over forty years. Her work varies from the elegantly functional to the eye-stopping artistic. The sample of works presented will give only a hint of her production but what a hint!
Enjoy the story of Valerie Metcalfe. Let her know how much you enjoy her work.
May 1st, 1974 — David Lambert, potter, at his home in Ryder Lake near Sardis. Photo courtesy John Denniston, http://www.johndenniston.ca
I have added a page on David Lambert, potter and animateur to the studioceramicscanada.com website. Often referred to as the “father” of BC ceramics Lambert left a legacy that is respected by ceramists today.
Thomas Kakinuma, Peacock (detail), glazed ceramic, 1963. Photograph by Ken Mayer Studios, 2018
The Ceramic Art of Thomas Kakinuma, January 24 to March 10, 2018.
West Vancouver Museum
680 17th Street, West Vancouver BC, V7V 3T2
Opening Reception: January 23, 7 to 9 p.m.
The Ceramic Art of Thomas Kakinuma is the artist’s first substantial retrospective offering a rare opportunity to see works from public and private collections. The exhibition is organized by the West Vancouver Museum, in collaboration with the Kakinuma Family, Debra Evelyn Sloan, Dr. Carol E. Mayer, Allan Collier and Stacy Reynaud.
Panel Discussion: Thomas Kakinuma in Context on Saturday, February 10, 2 p.m. Speakers: Debra Evelyn Sloan (ceramicist), Dr. Carol E Mayer (curator), Allan Collier (curator/collector) and Stacy Reynaud (collector)
Keeping in mind the contribution that influential pottery groups make to sustaining and training ceramists in various region across Canada I have added a page on Winnipeg’s The Stoneware Gallery.
Without a formal Manitoba provincial potters’ guild or association this collective is critical for the visibility and quality of ceramics of all types, not only in the province but across the country. The various artists involved over the years have been doing this for almost forty years. Remarkable!
Les Manning. 2007. Sun Up/Sun Down . Laminated stoneware, porcelain with celadon glaze, sandblasted. 18.5 x 25 x 21 cm. Collection: Alberta Foundation for the Arts.
I have added a page on Les Manning, artist, teacher, mentor to so many. I hope the page gives you insights into Les the man, as well as Les the artist.
Les Manning. 2011 Carnival. 46 x 32 x 40 cm. Photo: Dianne and Cecil Finch.
Les Manning’s roots are small town Alberta. His life has encompassed the world. Many can recognize his signature style of mountain landscapes but his most recent works in the Common Opposites exhibition are pure Les Manning, free to be himself.
Keith Campbell. 2017. C/6 porcelain plate with photo stencil airbrushed, drawn, brushed, sgrafitto image with a clear glaze 35 cm wide
Keith Campbell continues his commentary on Canadian history and politics with “TOASTING 150” celebrating Canada’s 150th Birthday with the portraits of the 23 Prime Ministers of Canada on porcelain toast. The works are part of a 50 years retrospective, “50 Years in Clay: Still more to Say“, at Jonathon Bancroft-Snell Gallery in London, ON, from Sept 14 to Sept 30th.
I have added a page on renowned Quebec ceramist and muralist Jean Cartier. Ironically less known outside of Quebec today he was a major and inspiring influence in ceramics, especially during the 1970s to the 1990s. His vision and techniques crossed stylistic and technical boundaries.
His contributions to studio ceramics and public art should be more widely recognized. I hope the page will help.
Harlan House today. From MUD, Hands, fire Exhibition, University of Manitoba. Photo: Mary Ann Steggles
Porcelain master, Harlan House, now has a page on studioceramicscanada.com .
The page will surprise many with the variety of styles and subjects Harlan has produced for almost 50 years. His detailed carving, appliqué and sprigging are familiar; however, there are other deeper messages, opinions and forms in his work throughout his career. His subjects range from the detailed life and beauty in his garden to frustration with the global economy and our “big box” life.
He is open in his thoughts, words and experience. His own website and blog are further testaments to his generosity.
Kakinuma’s teachings, personality and style were profound for the developing BC ceramic community. His life and work characterize the mid-century journey that ceramists undertook in those days. A collective and personal sense of the affection and respect for him can be felt in Debra’ s guest article.
Debra is not only a ceramist herself but also an author, historian and archivist on things BC pottery. Much that can be found today on the history of ceramics in BC are due to her work.