Barbara Tipton portrait from Ceramics Monthly, December 1987
Barbara Tipton. 2004. Horse plate, wheel thrown white stoneware, approximately 15 cm across, brush decorated greenware with dilute cobalt/manganese wash and a more saturated line, iron brush “spatters”, fired in a gas kiln to cone 8-9.
I have added a page on Barbara Tipton. For over three decades Barbara has explored the theme of cups, saucers and teapots in a unique and instantly recognizable style. What Barbara can do to a subject that is so often taken for granted will take your breath away!
Also included, providing a strong contrast, is a sampling of Barbara’s functional pottery.
Enjoy the page and let Barbara know you how much you admire her work.
Les Manning. 2007. Sun Up/Sun Down . Laminated stoneware, porcelain with celadon glaze, sandblasted. 18.5 x 25 x 21 cm. Collection: Alberta Foundation for the Arts.
I have added a page on Les Manning, artist, teacher, mentor to so many. I hope the page gives you insights into Les the man, as well as Les the artist.
Les Manning. 2011 Carnival. 46 x 32 x 40 cm. Photo: Dianne and Cecil Finch.
Les Manning’s roots are small town Alberta. His life has encompassed the world. Many can recognize his signature style of mountain landscapes but his most recent works in the Common Opposites exhibition are pure Les Manning, free to be himself.
Paula Murray continues to express her insights into the human condition with Compassion, “a response to the brokenness we witness” at the Centre Materia
395 boul. Charest Est, Quebec City, from September 8 – October 22, 2017. The opening is Friday, September 8th, 5-8 pm.
The delicacy, the fragility, the scale of Paula’s works are something truly to behold.
Jan and Helga Grove in their garden at Sooke Rd studio, c. 1970, photo by Karl Spreitz
I have added a page on Jan and Helga Grove. Their training in Germany was intense and traditional but their work is so modern. Working out of the Victoria BC area Jan and Helga brought a new view to traditions outside of the dominant Leach-Hamada tradition.
Their retrospective exhibition curated by Allan Collier at the Art Gallery of Greater Victoria continues until until May 28, 2017. Catch it if you are in the region. Or obtain the 128 page hard cover catalogue if you want a lasting memory.
Carol is prolific potter and sculptor. Her works in raku and low -fire porcelain frequently incorporate other media. Though varied in style she displays an ongoing love for the sea: an underpinning theme for her explorations in media, design, and more recently, the cycle of creativity.
Carol is also greatly recognized for her teaching and organizing work in the province: the Halifax Studio School of Pottery, her links with NSCADU, and in the development of the Nova Scotia Designer Crafts Council to name some highlights.
Enjoy the story of Carol Smeraldo’s career and a sampling of her creations,and please share your thoughts.
Harlan House today. From MUD, Hands, fire Exhibition, University of Manitoba. Photo: Mary Ann Steggles
Porcelain master, Harlan House, now has a page on studioceramicscanada.com .
The page will surprise many with the variety of styles and subjects Harlan has produced for almost 50 years. His detailed carving, appliqué and sprigging are familiar; however, there are other deeper messages, opinions and forms in his work throughout his career. His subjects range from the detailed life and beauty in his garden to frustration with the global economy and our “big box” life.
He is open in his thoughts, words and experience. His own website and blog are further testaments to his generosity.