Barbara Tipton portrait from Ceramics Monthly, December 1987
Barbara Tipton. 2004. Horse plate, wheel thrown white stoneware, approximately 15 cm across, brush decorated greenware with dilute cobalt/manganese wash and a more saturated line, iron brush “spatters”, fired in a gas kiln to cone 8-9.
I have added a page on Barbara Tipton. For over three decades Barbara has explored the theme of cups, saucers and teapots in a unique and instantly recognizable style. What Barbara can do to a subject that is so often taken for granted will take your breath away!
Also included, providing a strong contrast, is a sampling of Barbara’s functional pottery.
Enjoy the page and let Barbara know you how much you admire her work.
May 1st, 1974 — David Lambert, potter, at his home in Ryder Lake near Sardis. Photo courtesy John Denniston, http://www.johndenniston.ca
I have added a page on David Lambert, potter and animateur to the studioceramicscanada.com website. Often referred to as the “father” of BC ceramics Lambert left a legacy that is respected by ceramists today.
Alexandra McCurdy. Boxes at the Gardiner. January 2018.
Alexandra McCurdy. Boxes and Bowls at the Gardiner. January 2018.
Alexandra McCurdy. Bowls at the Gardiner. January 2018.
If you haven’t done it yet make sure you catch Alexandra’s exhibition and sale in the Gardiner Museum shop. Yes, that’s the shop! The works are classic McCurdy, including her iconic boxes and bowls. Alexandra has a long relationship with the Gardiner. In fact, 30 years ago, as the first artist displayed in the shop, Peter Gzowski opened her show, a huge success, and interviewed her on Morningside. She was, therefore, invited to be the January 2018 featured artist to celebrate the Gardiner shop’s 30 years of operation.
The exhibition and sale run for the month of January. A must see for collectors and McCurdy fans!
Thomas Kakinuma, Peacock (detail), glazed ceramic, 1963. Photograph by Ken Mayer Studios, 2018
The Ceramic Art of Thomas Kakinuma, January 24 to March 10, 2018.
West Vancouver Museum
680 17th Street, West Vancouver BC, V7V 3T2
Opening Reception: January 23, 7 to 9 p.m.
The Ceramic Art of Thomas Kakinuma is the artist’s first substantial retrospective offering a rare opportunity to see works from public and private collections. The exhibition is organized by the West Vancouver Museum, in collaboration with the Kakinuma Family, Debra Evelyn Sloan, Dr. Carol E. Mayer, Allan Collier and Stacy Reynaud.
Panel Discussion: Thomas Kakinuma in Context on Saturday, February 10, 2 p.m. Speakers: Debra Evelyn Sloan (ceramicist), Dr. Carol E Mayer (curator), Allan Collier (curator/collector) and Stacy Reynaud (collector)
Keeping in mind the contribution that influential pottery groups make to sustaining and training ceramists in various region across Canada I have added a page on Winnipeg’s The Stoneware Gallery.
Without a formal Manitoba provincial potters’ guild or association this collective is critical for the visibility and quality of ceramics of all types, not only in the province but across the country. The various artists involved over the years have been doing this for almost forty years. Remarkable!
Les Manning. 2007. Sun Up/Sun Down . Laminated stoneware, porcelain with celadon glaze, sandblasted. 18.5 x 25 x 21 cm. Collection: Alberta Foundation for the Arts.
I have added a page on Les Manning, artist, teacher, mentor to so many. I hope the page gives you insights into Les the man, as well as Les the artist.
Les Manning. 2011 Carnival. 46 x 32 x 40 cm. Photo: Dianne and Cecil Finch.
Les Manning’s roots are small town Alberta. His life has encompassed the world. Many can recognize his signature style of mountain landscapes but his most recent works in the Common Opposites exhibition are pure Les Manning, free to be himself.
Paula Murray continues to express her insights into the human condition with Compassion, “a response to the brokenness we witness” at the Centre Materia
395 boul. Charest Est, Quebec City, from September 8 – October 22, 2017. The opening is Friday, September 8th, 5-8 pm.
The delicacy, the fragility, the scale of Paula’s works are something truly to behold.